Michael Lightborne is an artist based in Birmingham and Cork. He works with video, sound and print, and has exhibited around the UK and internationally, in exhibitions and film festivals. His work engages with questions of landscape, popular culture, memory, and technology.
His sound work has been featured on BBC Radio 3’s ‘Late Junction‘, NTS Radio, Resonance FM, WFMU, Framework Radio, ‘Interiorities‘ on RTM.FM, Bepi Crespan Presents on CITR, Institute of Spectrasonic Sound on KEPR.
Michael’s work has been shown at:
Arquiteturas Film Festival, Lisbon
Arte Non Stop Festival, Buenos Aires
Art Festival at Hay
Art Night Venezia, Venice
Barber Institute of Fine Arts, Birmingham
Birmingham Open Media (BOM)
Bogotá Experimental Film Festival
Bucharest Short Film Festival
BFI Imax, London
City Arcadia, Coventry
Cork Film Festival
Coventry Biennial of Contemporary Art
Eastside Projects, Birmingham
Flatpack Film Festival, Birmingham
Glasgow Film Festival
Herbert Gallery and Museum, Coventry
Luxury Goods Festival, London
North Portland Unknown Film Festival
Parachute Light Zero III International Short Film Festival, Paris
Sluice Art Fair, London
Square Gallery, Bristol
Trade Gallery, Nottingham
Vivid Projects, Birmingham
Selected exhibitions and screenings:
A Catalogue of the Great Buildings of Coventry (at great speed) screened as part of 'Living with Buildings' programme of experimental films about architecture, Coventry, 2021.
Extraction: a Psycho-geological Report series of AV works exhibited online and onsite at Vivid Projects, Birmingham.
Puzzling Configurations of Stuff video essay for Hugh Lane Gallery, Dublin. Commissioned accompany the 'Maud Cotter: a consequence of – a dappled world' exhibition. Online (2021).
'In conversation: Michael Lightborne with Maud Cotter’ published in Maud Cotter: a consequence of – a dappled world (Dublin: Hugh Lane Gallery, 2021)
Salt video piece commissioned by Vivid Projects/Culture Central for #ItGetsLightFromHere online event, December.
Fields of Stirchley anarchaeological sounding workshop as part of Ten Acres of Sound festival, September.
Sensing the City: an Urban Room group show at Herbert Gallery and Museum, Coventry, January .
Shapeshifter screened at Bogotá Experimental Film Festival, Colombia
Shapeshifter exhibited at THESSALONIKI QUEER ARTS FESTIVAL, MOMus Experimental Center for the Arts, Thessaloniki, Greece, June 7 – 23
Fields of Stirchley anarchaeological sounding workshop commissioned by Hipkiss & Graney/Dead Shrines, June 30.
For a Road Can Be a Thing of Beauty screening at 'City, Essay, Film' event at UCL Urban Laboratory/UCL Festival of Ideas, London, June 7.
Sounds of the Projection Box: Liner Notes on a Phonographic Method talk and workshop as part of Mediafest, Vivid Projects, October 20
Digital Light Processing live audiovisual performance as part of Mediafest, Vivid Projects, October 20.
Digital Light Processing installation as part of Mediafest, Vivid Projects, October.
The Future is a Waste of Time selected for Bucharest Short Film Festival, December
Shapeshifter shown at 'Deep Thrash in the Underworld', Bethnal Green Working Men’s Club, London, October
The Future is a Waste of Time print series is part of 'The Future' group show at CET Building, Coventry Biennial of Contemporary Art, October 2016
Distressed Tape selected for North Portland Film Festival, October
Monolith at Black Hole Club exhibit, Sluice Biennial, London, September/October
Shapeshifter shown at 'Re:Jacqueline Morreau – Mythologies and the Marginalised' exhibition at Nunnery Gallery, London, September
The Future is a Waste of Time selected for Cork Film Festival, Nov.
The Future is a Waste of Time selected for Arte Non Stop Festival Buenos Aires, Sept.
The Disrupted/Disruptive Pattern AV performance with Ryan Hughes at Leamington Camouflage Festival 2016, Sept.
Video design for punkplay at Southwark Playhouse, Sept.
Abandonware Jungle, single screen generative video, part of '#ArtistsCompute' group exhibition at City Arcadia, Coventry, Sept.
Porous City installation at 'Aesthetics of Poverty' symposium, University of Warwick June.
Obscura Island performance installation, commissioned by Birmingham Camera Obscura, centre of Birmingham city, June.
Lost Cities live AV performance at Test Card, Texture, Manchester, June.
The Future is a Waste of Time selected for Flatpack Film Festival, Birmingham, April.
Realness (bifurcation) selected for Parachute Light Zero III International Short Film Festival, Paris, April.
Real Slow video installation at Digbeth First Friday, Vivid Projects, Birmingham, March.
Sound design for Diabolical Roses, immersive dining experience produced by Kaye Winwood and Sarah Baker-Groves, Birmingham, February.
The Future is a Waste of Time 2: Melancholy of the Nibbler live AV performance at AV Silk Road, Birmingham, February.
Realness live AV and performance installation in collaboration with Kate Spence, at Sluice Art Fair, OXO Bargehouse, London, October.
Choreography for Camera and Missing Sculpture installation as part of 'JHB Archive 23/1961 or 28/1961' group exhibition, BOM Lab, Birimingham, September – October.
The Future is a Waste of Time selected for Arquiteturas Film Festival, Lisbon, Portugal, October.
Realness live AV and performance installation in collaboration with Kate Spence. Part of Queer Traces at mac Birmingham and Vivid Projects, May.
Highway selected for Cinecity 2015, Melbourne, Australia, May.
In Order to Prevent the Discovery that I do not Exist (installation version) at Black Hole Club Social, Vivid Projects, Birmingham, April 2015.
Porous City installation at University of Lincoln, February.
The Future is a Waste of Time live AV performance, Digbeth First Friday, Vivid Projects, Birmingham, December.
Slow Scan live AV performance as part of Sonification, Digbeth First Friday, Vivid Projects, Birmingham, September.
Distressed Tape selected for ESP Film Open. Screened August 2014, Eastside Projects, Birmingham.
Forest Light installation, part of Between Two Worlds group exhibition at Vivid Projects, Birmingham, August.
Lost Rock Bands of South America exhibition of collaborative work with Santiago Oyarzabal at Vivid Projects, July.
Lost Cities audiovisual performance as part of Tropicalism at The Tin, Coventry, July.
33 video tapes, erased and rewound exhibited at Black Hole Social Club, May.
Zero live AV performance with John Bradburn and Ashok Mistry, Black Hole Social Club, May.
Riachuelo Crossing video installation presented as part of Superclubber Special, Flatpack Film Festival.
Lost Cities audiovisual performance at 7 Days of Sound festival, Althorpe Street Studios and Gallery, Royal Leamington Spa, Dec.
ALAN SUICIDE video installation, part of BYOB Birmingham 2013, at Vivid Projects, Birmingham, Nov.
A Chronic Mist video installation, part of Light Capture group exhibition at Stryx, Birmingham, Oct-Nov.
Cornerpiece video installation at ESP Summer Camp, Eastside Projects, Birmingham, August
Sound design for the experimental film For Shadows (dir. Ken Paul Rosenthal, 2013)
Sound design for Late in the Day, theatrical production at the Hen and Chickens Theatre, Islington, June.
Selected photography and projection installation The Purple Spot, Venice, April 2012, part of group exhibition 'Retina 1' at Althorpe Street Studios and Gallery, Royal Leamington Spa, May.
What Did The Duck Say To The Pig? video short, shown as part of 'Dirty New Media' at the Barber Institute of Fine Arts, Birmingham, March
The End of the Journey installation involving projection, video screen and broken hurdy-gurdy, part of 'Five Songs' group exhibition at Minerva Works, Birmingham, December
VHS Raven video installation at ESP Summer Camp, Eastside Projects, Birmingham, Aug.
Interval (after Intervals) photographic installation at Palazzo Pesaro Papafava, Venice.
Cinema is Rubbish single channel version screened as part of A Short Sharp Blow to the Head.., at Trade Gallery, Nottingham, June
Cinema is Rubbish single channel version at Cinematique! Film Festival, BFI Imax, London. Invited speaker at event.
Lugosi video installation at BYOB Birmingham, Flatpack Film Festival 2012.
Cinema is Rubbish single channel version shown as part of This is the Point program at the Flatpack Film Festival 2012, Birmingham.
Paramnesia Variations video shown as part of 'Kaleidoscope: New Perspectives on the Humanities' at the University of Warwick, May.
A Walk on the Deck is Indicated two channel video installation at the University of Warwick Library, June.
Cinema is Rubbish video installation/performance at The Courtyard Theatre, London, April.
Elevator at Square Gallery, Bristol (Oct 2010 – Jan 2011)
Elevator at the Art Festival at Hay 2010.
Elevator video installation shortlisted for the Open Prize 2010. Exhibited at the Nicholls and Clarke Warehouse, London (July 2010).